With What We Could Carry
Through sculpture and computational rendering, we explore the complexities of heritage, labor, and technological advancement. The solo exhibition juxtaposes ancient construction methods against digital fabrication processes, while considering how past models are shaping our visions for the future.
This body of work features handmade bricks, 3D prints of ancestral objects, steel armature, lime-pumice plaster plinth, and 3D wireframe portraits of the artist’s family on coffee dyed cotton with machine embroidered conductive thread.
ON VIEW /
- True/False Film Festival + Art Program (2025)
- Manierre Dawson Gallery (2023)
ACKNOWLEDGEMENTS /
- This body of work was commissioned for Eden Ünlüata-Foley's Humankind series and developed with contributions from his West Shore Community College students, technical support by Leonardo Selvaggio, and construction support by Jeffrey Hennies. Subsequent iterations were commissioned for the True/False Film Festival's public art program.
DOCUMENTATION /
- Megan Young
- Eden Ünlüata-Foley